I have a new quilt pattern available in the March/April issue of Quiltmaker magazine! Gulls in the Air is my new favorite quilt. I’m so happy to have it back from it’s photo shoot – I had forgotten how much I love it while it was gone. Gulls in the Air uses curved piecing with templates to create a more modern take on the traditional Birds in the Air block.
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My initial inspiration was to take a traditional block and modernize it. You know I love to add curves to old blocks. Sometimes I do it freehand, like with my Ocean Waves block. Sometimes I like to break out my templates and play that way. This time I drew my idea up in EQ8, then went looking for the perfect fabric line. I wanted a subtle fabric print this time – no large scale prints to take away from the delicate piecing. I found the perfect line with Pietra by Giucy Giuce. Bonus – the print looks like marble, and reminds me of the hundreds of photos I have of various floors all over the world. I think Gulls in the Air would make a stunning floor.
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The way the curves came together reminded me of how I my childhood beach drawings. Those old lazy W’s over the sunset. (I still draw birds in flight that way. Why change what works?). That’s why I called it Gulls in the Air.
Andover Fabrics was kind enough to provide the fabric for my project. I love their fabrics, and their staff is so easy to work with. Thanks, Andover!
To make my version, I used my curved piecing templates from Betty Crocker Ass. They make curved piecing so easy. I always prefer to use acrylic templates for cutting instead of paper. Bits of paper get shaved off the curves as I cut, and things just don’t go together as well as they could.
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I glue basted my curves for the first time on this project, and it worked really well. Melanie Tuazon told me to do it in her Trill class, and I ignored her. She was right. Glue basting is fabulous, especially on smaller curves. Plus, I was able to do all of my cutting during the day, then glue baste during our family movie night.
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For my label, I used an extra triangle I had cut for my blocks. I have started to make a real effort to label all of my quilts, and using up extra blocks or mis-cuts from the quilt always amuses me. Label your quilts! And don’t worry about it if you put them on sideways. Even the professionals do that sometimes.
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The backing fabric is a stunning wideback from Kaffe Fasset that I keep ordering. I should just give up and buy a whole bolt.
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You can get a print or digital version of Quiltmaker at the QuiltingDaily website or your local shop.
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Oh! Here is a painting I did of this quilt. I’ve slowed down on the painting a bit, but I do love the paintings I’ve done of my quilts. I need to do more of these.
This is beautiful. I love anything with curves, and your fabric is perfect.
Thanks so much!
I love the way you chanced the HSTs to gentle curves, it’s a lovely design. Congratulations on the publication!
Thanks, Yvonne!
What a fun quilt, Jennifer, and I love the watercolor of it. Congrats on the publication!
What size is the acrylic template that you used? I love the quilt and can’t wait to start making my own!
Hi, Gabrielle – I believe I used a 3″ finished quarter circle template.
Can you tell me what longarm pattern was used??